I don't know how to work the internet, but I'm pretty good at hitting the reblog button.
If you came here looking for a good time, I'm sorry I deceived you. I mainly reblog books and their various forms, Disney, cats, and a few TV shows. If this is the blog you're looking for, you found it.

adventuresonpaper:

where the fuck am i going to put all these books

(via that-bookworm)

Notes
190
Posted
1 hour ago

crownedconsultingcriminal:

lumos5000:

dangerhamster:

WE NEED TO TALK ABOUT THIS SCENE

OK, so this scene wasn’t originally scripted. RTD added it into the script based on Bernard Cribbins’ experience of the war.

Bernard Cribbins fought in World War Two

Bernard Cribbins never killed a man

And Bernard Cribbins is incredibly proud of that. 

AND IN THAT MOMENT I LOVED WILFRED MOTT’S CHARACTER EVEN MORE!!

(Source: dangerhamster, via ps-cookiejar)

Notes
172720
Posted
1 hour ago

queenofattolia:

isriana:

My favorite part of any episode of this show is to watch how Giles is 600% done with everybody.

(via accioslothsplease)

Notes
54769
Posted
1 hour ago
zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

zooophagous:

prokopetz:

skittles-n-gravy:

perpetual-galaxies:

Jack is hardcore as fuck

scare me like one of your french girls

For money money, the most interesting thing about this confrontation is how completely it inverts the final scenes of a typical Disney film. In most cases, the hero is physically and/or supernaturally outmatched, and triumphs through determination and ingenuity; here, the villain spends the the whole fight running scared, while the protagonist casually no-sells everything that’s thrown at him. And there’s no ironic Disney Death keeping the protagonist’s hands clean, either. Jack just straight-up murders Oogie with malice aforethought while Oogie is running away - and by having Santa Claus himself strike the final blow, the film legitimises Jack’s killing of Oogie as the morally correct course of action.

You don’t fuck around with the motherfucking pumpkin king

(via bookworm-goddess)

Notes
278593
Posted
2 hours ago

queerwatson:

holmes adaptations + text post memes [3/??]

i’m not going to stop making these and i won’t apologize

(via rumpleshtiltskin)

Notes
1543
Posted
2 hours ago
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